Stranger Things → The Vale of Shadows is a dimension that is a dark reflection or echo of our world. It is a place with decay and death, a plane out of phase, a place of monsters. It is right next to you and you don’t even see it.
Julianne Moore for The Edit Magazine (May 2016)
“I’ll always remember Norma Bates at her most indefatigable. Despite her perpetual suspicion that the world was out to stick it to her and her family, Norma could rise to a challenge like few others. Remember when she first moved in to that big drafty old house? She didn’t see the cracks and the peeling paint; she saw opportunity. Norma was like that, always seeing chances where others might presume dead ends. And if she decided you were on her side, she was fiercely loyal. She didn’t let many people in, but when she did, she was all in. For all her flaws, she was a hell of a woman. Still, we come here not to bury Norma Bates, but to praise her. Because what this season of Bates Motel has shown us is that Norma was never just a victim of her own impulsive and stubborn neuroses. She was a victim of circumstance; freed from the claustrophobic air of her codependent relationship with her son, Norma blossomed. She found love and a measure of contentment, however fleeting. Even when she was denying to everyone, including herself, just how dangerous Norman was, she managed to rise above her traumas and insecurities, and build a marriage with a good man. It was a revelation watching Vera Farmiga this year. Who knew she’d been concealing a gentle and understated romantic beneath those layers of Norma Bates’ high-camp hijinks all this time? Farmiga was always very, very good: This season, she was superlative.”
‘I had my ups and downs, but I always found the inner strength to pull myself up. I was served lemons, but I made lemonade.’
BEYONCÉ // LEMONADE, 2016